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Design Indaba Expo 2013: Thingking Designs Archetypal Frameworks
Written by Administrator   
Wednesday, 13 March 2013 14:39

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Thingking, a Cape Town-based design/build studio was honored this week with the 2013 Most Creative Stand Award at Design Indaba Expo. Their Twitter-activated Rube Goldberg machine served as a backdrop for their minimal objects.

thingking_trestles.JPGSimple Trestles

Thingking is Lyall Sprong and Marc Nicolson's "designer-maker consultancy." Based in Cape Town's design district of Woodstock, the three-year-old company does a range of client work ranging from interior/exhibition to interactive products (check out their Lipton Vending Machine, "the world's first floating vending machine.) We wrote about Thingking's converted Gypsy Caravan buildout for The Soft Machine, an ice cream truck that debuted at Design Indaba last year.

thingking_plantstands.JPG

At this year's Expo, they showed a small range of their design objects—I particularly loved their Pot Plant Stands, freestanding or wall-mounted powdercoated steel frames that are designed to support potted plants as singles or in series. Their nesting plywood Nominal boxes, represent the duo's design ethos. They work with common materials, creating objects that, "are designed by the people that choose them. Undefined, non-precious, archetypal frameworks."

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thingking_nominalboxes2.jpegNominal Boxes

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Last Updated on Wednesday, 13 March 2013 10:42
 
Highlights from the Geneva Auto Show 2013
Written by Administrator   
Wednesday, 13 March 2013 14:39

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Guest post by Richard Green of Plan

With European car sales in decline, it should come as no surprise that many manufacturers are increasingly focused on growth in China and the US. Couple this with the fact that many brands now opt for CES as a showcase for their latest connected car technologies, and this year's Geneva Motor Show was never going to be the showstopper of old.

To save you the trip, we've pulled together our highlights from the show—a selection of some of the finest design executions and some food for thought on an industry going through some massive changes.

The Crass Italian Super-cars
The mass drooling over this year's pin-ups—the Ferrari LaFerrari and Lamborghini's eccentric Venero—is perhaps an indication of what is wrong with the car industry. Testosterone prevails and with price tags of €1.3m for the LaFerrari and €3.12m for the Venero, it's also clear to see that the global recession is having little impact on high-end luxury purchases—if anything it's spurring on ever more ostentatious forms. Lamborghini no longer even seem concerned with aesthetic coherence, a frenzy of hard facets being 'complemented' by confused looking softer forms. Ferrari's counterpart, although slightly more refined, is plain awkward looking, a common result when attempting to flex F1 credentials too literally on consumer cars.

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Mixed Fortunes for British Luxury Brands
Over at Aston Martin, the Rapide seems to have lost a little of it's predecessors' understated elegance. The deeper, more aggressive face gives the car a burly presence that you might not usually associate with the brand, but it is a measure that will surely increase its appeal in China, a key market for the brand if it is to survive in the future. At a cool £250k, Rolls-Royce's Wraith Coupe had what was probably the most sophisticated interior on display. With a nod to modern boating materials, the 'Canadel' wood options are named after the South France cove where company founder Sir Henry Royce and team spent time developing their wares in the 1910s—nice story and nice execution.

Last and perhaps least, Bentley looked every bit a manufacturer in transition while new studio boss Luc Donckerwolke begins his task of reinventing the brand. The new Flying Spur looked unconvincing from many angles, though especially the rear—a duller and more slab-sided take on Maserati's distinctive derrière. It was hard to pinpoint exactly, but it just seemed to be lacking character—something Donckerwolke brought to Lamborghini in spades. Let's hope he can do the same with Bentley moving forward.

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Last Updated on Wednesday, 13 March 2013 10:41
 
With Stratflex, Flatpack Furniture Goes Curvy
Written by Administrator   
Wednesday, 13 March 2013 14:39

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A newer design technology in the Wintec Innovation fold (see our post on their Winbloks) is their Stratflex system. It's essentially flatpack furniture with a twist, or rather, a bend: Plywood is scored through several of its layers at specific junctures, allowing the forms to ship flat, but flex during assembly. The gaps are permanently filled with a flexible polymer that can withstand the slight deformation.

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Last Updated on Wednesday, 13 March 2013 10:41
 
AUDI Concept Contour by Biser Boyanov - small city car design, concept design, concept car design
Written by Administrator   
Monday, 21 December 2009 15:33



AUDI Concept Contour

The AUDI CONTOUR Concept is a design project of a hybrid city car for the near future.

The CONTOUR concept is a 4-seater concept vehicle. It is based on the passengers flexibility comfort in everyday’s city conditions.

This is perfect for those often travelling through a metropolitan environment. A swift, light car that slices through traffic and multiple-lane streets. Whether you're hunting for a new car or breakdown cover from RAC to protect your ability to get around the city, this sounds like a dream car. And it is, if you take a look at the design and overall concept. It is powered by electrical power engine, supplied by batteries and additional fuel engine.

The doors open at their maximum, one of the doors is with bottom – down opening system and forms a step. Thus the access of all passengers’ to the vehicle is at its maximum comfortable level.
Along the contour of the opened step there are LED lights that shine in the night and light the passengers’ access when going in and out of the vehicle.

Project CONTOUR is a city vehicle with compact size that provides maximum comfort.


Biser Boyanov portfolio page

Last Updated on Friday, 09 September 2011 13:23
 
Omer Arbel’s 2.4 Chair

By Alicita Rodriguez

Image: Is Omer Arbel’s 2.4 Chair Hiding Something?

2.4 chair. Designed by Omer Arbel.

It’s a little sad to write about products produced in limited quantity—because it means most people will not get the pleasure of owning them. On the other hand, there is something pleasurable about knowing of such select pieces—and covering museum-quality furniture brings attention to the designer behind the work, who may, after all, eventually manufacture something for the rest of us. Such exclusivity is the case with the 2.4 Chair by Omer Arbel Office (OAO), the Vancouver-based firm that “blurs the boundaries between the fields of architecture, industrial design, and materials research.” Only twenty 2.4 Chairs were made, catapulting them to collector status: the Chicago Athenaeum Museum has already acquired one.

The 2.4 Chair combines resin and steel to create a one-of-a-kind lounge chair: “Structurally speaking, it is a hybrid system: tension forces are transferred through the stainless steel skeleton; compression forces are transferred through the cast resin shape.” Each chair produced used different color combinations of opaque and transparent layers that were “inspired by color samples selected by each patron.” The resin covers a steel scaffold which remains visible beneath the colorful exoskeletal shell; hence, the 2.4 Chair has a transparent construction—something OAO celebrates.

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The design firm “embraces the object as a starting point for the design exercise” and looks “for ways to imbue the object with meaning.” The meaning varies on the viewer, no doubt, but I like to think that 2.4 says something about the value of a good foundation and the playfulness of hiding it. For an object to appear whimsical and yet rely on a strong base can be read as an artistic theory: you can’t break the rules unless you can master them. Aficionados of the grid will appreciate the 2.4 Chair’s underlying framework (material and philosophical).

from: 3Drings

 
anthony cioffi: electric racing bicycle
Written by Velikov   
Sunday, 31 May 2009 17:27


image courtesy anthony cioffi

anthony cioffi is a student at the art center college of design in pasadena, california.
he has sent us images of his thesis project, an electric racing motorcycle.


image courtesy anthony cioffi


image courtesy anthony cioffi


image courtesy anthony cioffi


image courtesy anthony cioffi


image courtesy anthony cioffi


image courtesy anthony cioffi



image courtesy anthony cioffi


image courtesy anthony cioffi

 

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